中国早期道教人神对话现象透析——以顾恺之《洛神赋图》为例

Analysis of the early Taoist man-god dialogues of China——A case study of Gu Kaizhi's the Painting of Goddess Luo Rhapsody

中国古典艺术关注探索人神关系,早期道教更加注重神人相通和得道成仙。东晋画家顾恺之留传千古的杰作《洛神赋图》是对道家神仙思想的较好注解。顾恺之通过对人神交往的铺陈,将个人生命的感悟体验倾注于作品中,体现了中国传统艺术对神仙意境的追求,弥漫着探索自由超脱人生境界的艺术诉求。

Chinese classical art pays more attention to the exploration of the relationship between human beings and gods, and the early Taoism emphasizes the man-god connections and immortality. The Painting of Goddess Luo Rhapsody of Gu Kaizhi who is the painter of the Eastern Jin Dynasty, better interprets Taoist thought on immortality. He put his life experience and thinking into his painting by portraying the man-god connections, which reflects the pursuit of Chinese traditional art for immortal mode, filling with the artistic appeal for the free and aloof realm of life.