摘要
20世纪90年代以来,新生代作家韩东的小说创作试图在对传统话语形态的破坏中探索一条新的文学创作之路,实现文学在本体意义上对政治、社会的彻底叛逃而回归自我本身。阅读韩东你会发现一条回归文学的第三条道路,即叙述策略上的无为而有为。韩东的小说创作坚持边缘化的立场,以对历史呈现的多种可能性、无姿态的私人叙述策略和荒诞中对生命的哲学思考等三个方面展开对写作的实验性开拓,为新时期文学多样化的发展提供了更多的可能性。
Since the 1990s, the new generation writer of novels Han Dong tried to destroy the traditional speech form and explored a new road of the literary creation. Through this way, literature will go away from political and social factors thoroughly and return the ego itself defected. Reading Hart Dong'novels, you will find the third path to return literature called on the narrative strategy of doing nothing and forceful. Han Dong's novels at the edge developed experimental way of writing from three aspects: a variety of possibilities of history display, no attitude private narrative strategy and philosophical thinking of life in the absurd, providing possibilities for the development of diversified literature in the new period .
出处
《中国石油大学学报(社会科学版)》
2012年第4期95-99,共5页
Journal of China University of Petroleum (Edition of Social Sciences)
关键词
韩东
历史多样性
无姿态叙述
哲学意蕴
Han Dong
historical diversity
no attitude narrative
philosophical implication