从杜丽娘形象看晚明闺阁女性情感意识的变革

On the Change of the Boudoir Female Emotional Consciousness in the Late Ming Dynasty through the Image of Du Liniang

《牡丹亭》所塑造的杜丽娘以一个最具经典的晚明闺阁女性形象,向读者展现了一部荡气回肠的晚明女性情感意识的阐释史。作者力图以杜丽娘形象为切入点,在深入探讨女性情感意识的基础上,着力表现晚明闺阁女性的情感发展历程,并对其进行理论层面的透视。

Du Liniang in The Peony Pavilion, the most classic boudoir female image of the late Ming Dynasty has displayed to readers a soul-stirring history of interpreting the emotional consciousness of females in the late Ming Dynasty. Starting with the image of Du Liniang and based on an in-depth analysis of the female emotional consciousness, this paper focuses on manifesting the course of emotional development of boudoir females in the late Ming Dynasty and on making a close-up of it at the theoretical level.