王明居模糊美学思想述评

Comments of Wang Mingju's Fuzzing Aesthetics

模糊美学的研究 ,是在模糊数学等自然科学的启发下 ,于 2 0世纪 80年代在国内解放思潮的背景下形成和发展起来的。模糊美学的命名乃是对对象特征的模糊性和研究思想的模糊性的概括。王明居先生的《模糊美学》和《模糊艺术论》则是迄今为止最为系统、贡献最大的模糊美学著作。作者借鉴耗散结构理论和模糊数学的思想方法 ,对审美活动中的模糊现象进行了探讨 ,试图以多值逻辑代替经典美学判断中的二值逻辑 ,对中外历代零星的模糊论美学思想进行了系统的清理 ,初步形成了模糊美学的开放性的理论体系 ,引起了学术界的激烈争论。本文结合模糊美学的理论内容和前人对此所作的评价 ,澄清模糊美学在学科方法与性质、继承与批判等一些问题上的观点 。

The Fuzzing Aesthetics has taken its shape and grown up under the influence of science and the free-thought trend in 1980's.It gets its name for the vague feature of its research objects and study means. Till to now, Mr.Wang Mingju's Fuzzing Aesthetics and On Fuzzy Arts are the most systematic and contributive works on this subject.He borrows the study means of the Theory of Dissipative Structure and Fuzzing Mathematics,studies the vague phenomena in aesthetic activities,tries multi-dimensional logic instead of bi-dimensional one in classical aesthetics,sorts out the fragmentary material on Fuzzing Aesthetics through out the history both in China and in west,primarily forms an open system of Fuzzing Aesthetics,and evokes discussions in this field. This article is based on the content of Mr.Wang's thought and the assessments of predecessors,throws light on Fuzzing Aesthetics'opinion on the relationships between study means and disciplinary natures,inheritance and abandonment and so on.It is believed that Mr.Wang's works have profound value and influence on many aspects.