摘要
在整个基督教文化中夏娃被视为"原罪"的根源,她的图像是基督教推行禁欲修行过程中用以惩戒与救赎最有力的工具,本文通过分析米开朗基罗《原罪与失乐园》中的夏娃形象,试图解读图像背后隐藏着的性别权力关系。
Eve is seen as original sin in the Christian culture,＂ Her image is the most powerful tool to promote Christian asceticism for punishment and redemption, this paper analyzed the image of Eve in Michelangelo＂ s original sin and Paradise Lost ,and tried to interpret the relations about gender, power.
出处
《巢湖学院学报》
2012年第4期64-66,共3页
Journal of Chaohu University
关键词
米开朗基罗
夏娃
失乐园
原罪
Michelangelo
original sin and the Paradise Lost
Eve
original sin
