摘要
1920年代女作家群小说物象分实象、比象、兴象三类,又以兴象为主,其中季节、水及花草树木等物象所占比重较大。实象没有受到充分重视,比象在小说中的各类功能虽得到初步把握,但有待进一步拓展。物象的运用,明显地影响到女作家群小说的文体特征。
The images employed by Chinese female writers in the 1920s can be categorized into actual images,metaphors and analogies,with analogies featuring seasons,water and plants prevailing.Actual images were largely ignored;functions of metaphors were preliminarily mastered and had to be further expanded.The use of images significantly affected the style characteristics of the female writers as a group.
出处
《五邑大学学报(社会科学版)》
2012年第3期34-37,93,共4页
Journal of Wuyi University(Social Sciences Edition)
基金
广东省哲学社会科学"十一五"规划学科共建项目"中国现代小说物象研究"(批准号:09GJ-10)的部分成果
关键词
1920年代女作家群
兴象
比象
现代小说
凌叔华
the Chinese female writers as a group in the 1920s
metaphors
analogies
modern fiction
Ling Shuhua