论“以意逆志”中文学文本超越性解读的对话层次——以李后主的词作为例

On the Significance of Communication about the Interpretation of Literary Text Transcendence——Taking the Sencense Li Yu's Poem as Example

作为阐释主体的读者,自身的审美倾向常常会取代作者的表达意蕴,作为被阐释者的创作主体只是将个人的情感体验表达出来,而不同时代的阐释者则解读出了具有超越意义的艺术体验。一种情结的形成是在主体不断强化的过程中形成的,其一旦形成就会进一步生发出对感性世界加以观照过程中的理性思考。经过历代研究者的阐释从中找到更具普遍意义的合理内容,以意逆志也好,断章取义也好,都找到了属于自己时代的诠释视角。由此可见,文学文本一旦被过度诠释就会面临"以意逆志"的观念传播,进而不再以文本最初的意义出发,形成了特有的大众阅读的传播场域。

The significance of literary text interpretation is the image communication. Aesthetic tendency of interpretation of main body oneself often replace expression and implication of the author. Be the interpreter, Li Yu only expressed his individual emotional experience, but the researchers in different times interpreted the experience of art beyond meaning. A kind of complex forms in the process of the main body continued to strengthen, once formed, it will further give birth to rational thinking on the process of perceptual world view. The researchers found more universal significance of the reasonable content, whether＂ inducing the original intention from the understand meaning＂ or ＂Quote out the text＂ found hermeneutic perspective of their own ages. This shows the literary text will face the ideas spread of ＂inducing the original intention from the understand meaning＂ once being interpret excessively, and it will no longer begin initial meaning from text, thus forms a unique public reading communication field.