摘要
"诗乐舞结合"是中国古代艺术的一个优秀传统。词(诗)作为一种表演艺术,与音乐之间有着复杂交织的离合关系。当代人对唐宋词的欣赏是一种仅仅从文字层面分析,而脱离了以歌舞表演为主的现场感的欣赏,这与唐宋人欣赏方式存在巨大差异。苏轼词作为词史革新的代表,实际上具有表演的艺术特质。苏轼词从表演者性别、表演乐器、表演姿势及表演内容等诸方面作了很大的改革。苏轼词实际上改变了词——这种盛极于唐宋的艺术表演方式,这是对我们理解苏轼词在中国词史上革新的不可或缺的艺术审美之弥补。
"Poem,music with dance" is an excellent tradition of the ancient Chinese art.Word(poetry) as a performing art,has a complex interweaving of on-off relationship with the music.The contemporary people appreciate Tang and song′s words from the text level rather than the liveness of the performance of singing and dancing,which is of a huge difference from the people in Tang and Song Dynasty.Su words as an innovation representative in Word history,displayed the performance of the art faculty.Great reform could be seen in Su words from the performer,musical instruments,performing position and other aspects.Su words have actually changed the word-a way of art performance in the Tang and Song Dynasties.This is an aesthetic remedy of Su words in the history of innovation.
出处
《广东第二师范学院学报》
2012年第4期68-73,共6页
Journal of Guangdong University of Education
关键词
词乐离合
苏轼词
表演特质
革新意义
word with music's clutch
Su words
performance characteristics
innovation significance