壮族嘹歌与苏格兰民歌中思维原型对比研究——以壮族嘹歌之《三月歌》和苏格兰民歌之(The Twa Corbies)为例

A Comparison in Prototypes of Thinking Embodied in the Liao Song of the Zhuang People and the Scotic Ballads——A Case Study of the Song for the Spring of the Liao Song of the Zhuang People and the Twa Corbies of the Scotic Ballards

壮族嘹歌和苏格兰民歌分别由壮族劳动人民和苏格兰劳动人民创作,充分体现了两种不同民族的社会生活。壮族嘹歌是中国民间文学的瑰宝,《平果壮族嘹歌》已经被列入国家非物质文化遗产名录。苏格兰民歌是英国文学的重要组成部分,源远流传。通过壮族嘹歌与苏格兰民歌中思维原型的比较,可以更清楚地了解壮人和苏格兰人的民族性格、思维方式,为壮族及壮族文化走向世界提供一些借鉴。

The Liao Song of Zhuang People and the Scotic ballads have been created and passed down by the Zhuang and the Scotic laboring people,sufficiently presenting and illustra- ting the social life of the two different nations. The Liao Song is a treasure of the Chinese folk literature,and the Liao Song of the Zhuang People in Pingguo County has been listed in the National Catalogue of the intangible cultural heritage;while the Seotie ballads whieh have been made and passed down for very long time is an important part of the English literature. By comparing the prototypes of thinking embodied in the Liao Song and the Seotie ballads,we can understand more about the character and ways of thinking of the two People,so as to provide more ways for the Zhuang People and its traditional open and walk up to the world.