“夹缝”中的艺术博弈:在新美术与新文学之间——以李金发和闻一多为例

Torn Between the Competing Claims of a New Art and a New literature: Taking Li Jinfa and Wen Yiduo as Examples

"五四"后的20世纪20年代前中期,堪称中国现代文艺史的"夹缝"时期,此时的文艺青年面临着新兴美术和文学的两难选择。以李金发和闻一多为例,两人经历了在美术与文学之间往复纠结的过程,反映了特定时代语境下两大新兴艺术领域博弈背后的多重复杂因素。

The early half of 1920s, which followed the May Fourth Movement of 1919, was a special period in modern Chinese art history. During this period, the enlightened youth came to face a dilemma whether to de- vote themselves to new art or to new literature. This article takes Li Jinfa and Wen Yiduo as examples to ana- lyze the dilemma, and tries to explore the multiple factors behind the competition and cooperation of the a- bove two new art fields.