摘要
鲍德里亚深刻揭示了仿真时代真实性和意义的丧失,城市空间的衰朽和空间消费的悖谬,并且在仿真的肆行与空间的衰朽之间建立起一种因果逻辑;正因为此,他迷恋于自己的诗性美学和引诱哲学,希望以此作为解药来解醒在仿真和代码中迷失的城市环境和文化空间,并修复城市建筑应有的美学效能。
Jean Baudrillard not only revealed the loss of truth and meaning, the degeneration of urban space, and the paradox of the space - consumption in what he might term as the Era of Simulation but 'also established a logic of causation between the over- running of simulation and the degeneration of the space. In this light, he indulged in his own poetic aesthetics and philosophy of seduction, and hoped to take it as an antidote to re - animate the urban environment and cuhural space lost in simulations and codes and to restore aesthetical function back to urban architecture.
出处
《文艺理论研究》
CSSCI
北大核心
2012年第5期78-87,共10页
Theoretical Studies in Literature and Art
基金
教育部2009年度人文社会科学研究项目"空间消费的困境:对鲍德里亚城市空间批判的批判"阶段性成果[批准号:09YJA720026]
同济大学"985"二期项目支持
关键词
城市美学
空间哲学
仿真
鲍德里亚
urban aesthetics philosophy of space simulation Baudrillard