性别现代化:王汉伦的电影表演与性别协商

Modern Expressions of Gender: Wang Hanlun's Film Acting and Negotiation of Sex

王汉伦是"中国电影史上的第一位电影女明星"。本文通过对王汉伦电影人生图景的素描,说明性别现代化的历程同时也是女性视觉化的过程。现代媒介对所谓新女性的图绘,则恰如王汉伦电影《弃妇》二字所做的媒介隐喻。王汉伦通过电影申述了自己的女性观,但个体的努力在媒体角色与社会角色的性别协商中终归影响甚微。现代性权力最终主导了艺术与社会中的性别表演和性别认同。

Wang Hanlun is ＂the first female film star in China＇s history of films.＂ This paper examines the process of modernization of gender in which women gain sense of themselves through their visual images based on the life of Wang Hanlun＇s film life career. This life is just like what she portrayed in The Abandoned Wife, in which she expressed her own female worldviews. However, her individu- al efforts appeared to have trivial influence in the negotiation between film images and social roles. The contemporary sexual power eventually dominated the sexual portrait in arts and sexual identity in society.