创作心态的纯洁化与复杂化——论《太阳照在桑干河上》中人物形象的塑造

The Purification and Complicatedness of Greative Thoughts——On the Characterization in The Sun Shines on the Sanggan River

"土改小说"《太阳照在桑干河上》一直被认为是"解放区文学"的重要收获,其中阶级斗争的叙事策略对建国后众多农村题材小说创作有着典范意义。在新型农民、落后农民和知识分子等人物的塑造上,一方面集中体现了作为知识分子的丁玲投身革命和工农群众过程中顺应政策要求时的自觉与自愿;另一方面也体现出作家试图弥合"政策"与"形象"间的裂痕的积极努力,是作家启蒙精神、个人主体性的无意识流露。这两方面暗含着中国知识分子及作家由"个体自我"向"革命者自我"的转变。

The Sun Shines on the Sanggan River deplicting the ＂Land Reform＂ has been regarded as a masterpiece of ＂the Liberated Areas＇ literature＂. Its narrative strategy of the two classes~ struggle has great influence on rural subject novel writing after the founding of PRC. In depicting the ＂hero peasants＂, ＂unen- lightened peasants ＂and intellectuals, the novel, on one hand, reflects the volunteering of complying to policies of the intellectual author Ding Ling when taking part in the revolution of works and peasants, on the other hand, it reflects the author＇s effort in trying to bridge the gap between ＂policy＂ and ＂image＂, which reveals Ding Ling＇s en- lightenment spirit and individual subjectivity unconsciously. These two aspects imply the transition of Chinese intel- lectuals from the ＂individualized-self＂ to ＂revolutionary-self＂.