物质文化遗产:自我表征的载体与符号——以滇越铁路遗产物为例

Tangible Cultural Heritage as the Carrier and Sign of Self-Representation:The Case of the Cultural Heritages of Yunnan-Vietnam Railway

现代遗产运动中出现大规模的遗产制造,根源在于忽视了文化遗产与遗产主体是一个合二为一的整体,剥离了遗产主体对遗产物的自我归属与情感依附。以"物"(things)就是"物"(object)而非"人"的态度来处理文化遗产,从而出现遗产主体的受挫感。以文化遗产是遗产主体记忆的载体、自我存在与延续的方式为论述起点,分析作为文化遗产的"事物"如何在人们日常生活中转化为"自我"的构成,从而实现了作为客体的"物"与作为主体的"人"之间的互化,使得"物"成为人们自我存在与延续的载体。

The modern heritage application movement has led to the making of heritages, and ignores the integration of cultural heritages and the heritage subject together with its belongingness and emotional attachment. If ＂things＂ are regarded as ＂object＂ rather than ＂human＂, the heritage subject will feel frustrated. This paper regards cultural heritages as the carrier of the memory of the heritage subject as well as its self- existence and continuity, analyzes how cultural heritages as ＂things＂ have become ＂self＂ in our daily life and how ＂things＂ as object will change into ＂human＂ as the subject or vice versa, thus making ＂things＂ as the carrier of self existence and continuity.