摘要
武田泰淳基于自己在中国战场的经历以及战后在上海生活的经历,写作了小说《审判》。作者借用"杉"和"二郎"这两个人物形象描绘了双重的自我,完成了隐秘的告白。同时,作为战后知识分子的代表,武田泰淳试图对战争进行反思,但是由于过份强调"二郎"作为受害者的一面,从而削弱了作品的批评力度,使得这种战争反思很不彻底。
Mr. Takeda Taijun wrote the novel of Shimpan based on his life experience during the Second World War in China and after the War in Shanghai, depicting a double-character self through the two characters of "Sugi" and "Zirou", which publicized a secret confession. Meanwhile, as a representative of postwar intellectuals, Mr. Takeda Taijun tries to reflect on the war. However, the author emphasizes too much on the character of "Zirou" as a victim, thus weakens the criticism of this novel, making his reflections far from thorough.
出处
《宁波工程学院学报》
2012年第3期11-14,共4页
Journal of Ningbo University of Technology
基金
浙江省社会科学界联合会研究课题成果(项目编号:2010B72)
浙江省高校优秀青年教师资助项目(项目编号:2010)
关键词
审判
告白
反思
Shimpan
confession
reflection