如何在扰攘纷乱的话语空间当中从事话语事件的精纯描述——以此讨论音乐美学概念命题范畴问题

How to Refinedly and Accurately Describe an Event of Discourse in the Discourse Space Full of Chaos——On Category of Proposition of Music Aesthetic Concepts

概念作为一种存在,是任一理论对与其相关的学科作出的最后承诺,因此,从一定意义上说,一门学科成熟与否的一个重要标志,就看它是否有一套自在的,或者说具有自明性的特定概念。文章从关注、切入、操作三个方面就音乐美学概念命题范畴问题进行讨论,认为在音乐学学科意义上,尤其对音乐学写作而言,必须正视并重视概念命题范畴在学科建设中的重要性,并逐渐建立相应的自觉意识。

Concept, as a being, is an ultimate promise the theory had made to its related disciplines. Therefore, in a sense, one of the important signs of a mature discipline is a system of autonomous, or self - disciplined, specific con- cepts. This paper discussed the category of proposition of music aesthetic concepts on aspects of concerning, penetrating, and operating. In the sense of musicology as a discipline, especially for writing within it, great attention must be paid on the category of proposition of concepts, so that a corresponding conscious can be established.