领会,一种理想的音乐审美境域——由海德格尔“视对应于敞亮的境界”所想到的

Comprehension,an Ideal Music Aesthetic Realm——about Heidegger's "View Corresponding the Area of Luminosity"

文章通过对海德格尔"视对应于敞亮的境界"的阐释关联到音乐审美中最为理想的审美方式——领会,通过相关哲学历史路径并根据实际审美实践对音乐的领会进行深层的阐释。引申出由领会获得的音乐感性经验的确凿可靠和充分有效,并针对感性经验表述的可能性进行发问。

This paper related Heidegger＇s words ＂View Corresponding the Area of Luminosity＂ with the most ideal pattern in musical aesthetic-comprehension, interpreted the comprehension of music via a philosophical-historical approach, illus- trated the reliability and validity of perceptual music experience gained by comprehension, and questioned the possibility of perceptual experience description.