摘要
五四新文学之初的女作家话剧创作,就内容而言分为两大类,一类是学生型作家的创作,以塑造女英雄为主,试图以此来回应除旧布新、弘扬自我的五四时代精神;另一类是学者型作家的创作,以家庭为核心,批判男人的守旧和顽固传统观念,本文通过对她们剧作内容的分析,结合话剧本身的特点,揭示了现代女作家的话剧创作中,从起步之初就预言了必然放弃的结局。
The dramas created by female writers at the early stage of "May 4^th" new literature can be divided into two categories according to their contents, one by the student type writers who mainly creates heroines to abandon the old thought and spreading the new spirit of "May 4^th" which emphasizes on individualism. The other by scholarly writers, who focus on family, criticizing the stubborn male dominant old tradition. By analysis on the contents of these dramas, combining with the special character of the modern drama, this paper discloses that from the very beginning of the female writers drama creation, the unavoidable end of giving up has already been predicted.
出处
《南京师范大学文学院学报》
CSSCI
2012年第3期145-150,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University