《诗经》爱情世界的原生态探美(三)

Aesthetic Discovery of Love in The Book of Songs (Ⅲ)

以马克思主义的美学思想,对中国人第一次集体歌唱的《诗经》爱情诗审美特征进行初步探析,比较全面而深入地挖掘出《诗经》爱情诗的思想内容与艺术形式之美,努力呈现其难能可贵的美学风貌。这些爱情诗,既显示了人们对"人"本身审美观较为健康而清醒的认识,又闪耀着男女主人公人格美精神的灿烂光辉;既有谈情说爱方式的审美情趣,又有表现各种艺术形象的审美价值,诸如风俗美、形象美、意蕴美、意境美、含蓄美、结构美等等,彰显出美的活力,散发出美的芳香,展示出美的风采。《诗经》爱情诗艺术美内涵甚为丰富,加强对它的开掘与研究,就能够有力拓展《诗经》研究的新领域,进一步彰显并提升《诗经》在中国文学史与美学史上的重要地位。

Under the influence of Marxism, the author gave a preliminary but thorough analysis on the aesthetic features of the love poetry in The Book of Songs. It shows that those love poems not only embody people＇s clear understanding to the attitude of human-beings to beauty, but also reveal the personality beauty of the heroes and heroines in the poems. Not only do they show the beauty of various love patterns but also the value of presenting various artistic images, such as the beauty of customs, beauty of image, beauty of context, beauty of structure, beauty of meaning. For the rich connotations of the aesthetic beauty of the love poetry, the research and exploration of them can expand a new way in the study of The Book of Songs and promote the status of it in the history of Chinese literature and that of Aesthetic.