摘要
自20世纪80年代中期开始,唐元峰就潜沉在歌词写作之中,他以当代人文环境和大庆本土文化相结合的话语方式,以石油工人的个体生命和群体生命相结合的感知方式,建构了自己全新的写作观念和写作模式,为当代中国歌词的写作作出了重要的贡献。
Ever since the mid 1980s, Tang Yuan-feng has been concentrating on lyric writing. By combining contemporary humanistic environment with local culture in Daqing and oil workers＇ individual lives with their group lives, he has created brand new ideas of writing and modes of writing characterized by unique discourse mode and perception mode, which contributes a lot to contemporary Chinese lyric writing.
出处
《大庆师范学院学报》
2012年第5期78-81,共4页
Journal of Daqing Normal University
基金
黑龙江省高校人文社会科学重点研究基地大庆精神研究中心项目"基于文化学视角的铁人文学研究"(DQJS211)
大庆师范学院社科基金项目"新潮小说思想特征及其对大庆石油文学的影响研究"(11SK05)
关键词
唐元峰
歌词写作
寻根意识
Tang Yuan-feng
lyric writing
experience
writing ideas
