摘要
近代以后中国的剧场建筑基本上沿袭了与古代西方观演建筑—脉相承的西方现代剧场建筑形制,而以戏台为代表的中国传统戏剧观演空间则几乎被遗忘。文章意在透过中西方戏剧文化的演进和交流这一层面,剖析和比较两种传统观演场所的空间实质和文化内涵,为当代的观演建筑的发展提供一些启示。
The mordern theater in china is born of the western ones which develops from ancient Europe. The triditional drama stage of China is almost forgotten. The author compare the character of Chinese drama stage with the one of the theater in ancient europe on the background of culture communication, and try to give some guiding suggestions for the development of mordern theater,
出处
《华中建筑》
北大核心
2000年第3期6-9,共4页
Huazhong Architecture