沉思性·议论化·隐喻化——论“西南联大诗人群”的诗语言探索与诗美追求

Meditativeness,Disputativeness and Metaphorization——Exploration of Poetic Language and Pursuit of Poetic Aesthetics of the “Poet Group in Southwestern China United University”

"西南联大诗人群"的诗美探索与建构实践,主要集中在对于现代诗歌语言的革新与创造上。这种革新与实践主要体现在以下3个方面:一是诗歌中的叙述、描写性语言减少,沉思性语言大量增加;二是诗歌中的直白、科学性语言减少,矛盾修辞格、隐喻、通感、反讽等修辞性、感受性语言大量增加;三是蓄意制造文字的新奇与陌生化组合,探索现代诗句构、诗行构成的新法则,诗歌语言张力美效果凸显。当该派诗人以直观感性的、隐喻反讽的"新的感性"和象征性"艺术"语言改变着初期新诗语言直白化的弊端时,便创造了一套能够表现现代人复杂幽微意蕴与感受的诗歌语言体系。由于诗歌中象征性、隐喻性语言变多,陌生性语言增加,其晦涩与"现代化"的诗风由此形成,从而极大地丰富与提升了现代诗歌的艺术品格与美学品味。

＂The Poet Group in Southwestern China United University＂ actively explored poetic aesthetics and practiced new poetic constructs mainly in innovation and invention of modern poetic language. First of all, They re- duced narrative and descriptive language but massively increased meditative language in poetry writing; cut down straightforward and scientific statement but added largely to rhetorical and sensitive language then, they , including paradox, metaphor, synaesthesia, irony, etc. ; finally, they deliberately invented novel expressions and strange collocations to experiment with sentence structure of modem poetry and new rules of constructing poetic lines, great- ly projecting the aesthetic effects of poetic language tension. With expressive, ironical and metaphorical language of ＂new experience＂ and symbolic ＂art＂, these poets were correcting those malpractices of new poetry in its initial days, inventing a poetic language system which was capable of expressing complex and delicate implications and ex- perience. Moreover, an obscure and ＂modernistic＂ poetic style took shape, which greatly enriched and raised the artistic quality and aesthetic taste of modern poetry.