中西绘画语言的相关性研究

A Study of the Relevancy between Chinese and Western Painting's Modeling Language

绘画就是学会去观察并给予形状、位置、方向以及所有其他视觉关系同样的关注程度,而不是去辨认实物并把它转换成文字。绘画需要用视觉思考,而不是用语言文字思考。中国画是中华民族文化智慧的结晶,近现代以来,无论是对西画人物造型中比例、透视等的吸纳,还是中西方理论的交融,对中国画造型艺术的研究与改良从未间断过。在西学渐进的今天,借鉴西方造型艺术的科学性同时,保持中国传统文化的特色,建立自己的造型艺术体系对中国画造型及发展具有重要意义。中西方绘画的造型语言表达方式虽不相同,但对造型规律的某些认识及目的却有着共性,无论中西方绘画造型的差异如何,通过对造型中运用的艺术技巧及表现手段相关性比较,对绘画造型的理论研究与实践都具有深远的影响。

Painting, rather than identifying and converting items into texts, is to learn how to observe and how to illustrate the shape, position, direction, and all other visual relationships equally. Painting needs thinking with vision instead of letters. Chinese painting is the top-class fruit of Chinese ethnic culture. Modern and contemporary research and improvement of the modeling arts in Chinese painting have never stopped. From absorbing the scale and perspective in western figure shaping to currently integrating Chi- nese and Western theories, it is increasingly significant for the shaping and its development in Chinese painting to keep Chinese traditional characteristics and to establish our own modeling system while learning from the reasonable parts of western shaping broadly. Eastern and Western painting modeling languages have different expression ways from each other, but there are common laws for the perception of modeling knowledge. However large the eastern or Western painting shape differences are, it is significant for both practical and theoretical studies of the painting shape to generalize and apply the common rules, which come from the comparison of the correlation in artistic techniques and methods of expression used by mod- eling.