摘要
金代全真教教徒王重阳、马钰、丘处机等人创作了大量诗歌,体现出独特的诗学观。他们不仅以诗歌来传道悟道、教化他人、联络道友、增进感情,还以诗歌来抒发道情和诗情,将诗歌当成传道、交友的文字游戏。他们的跨界创作偏离于诗言志、诗缘情的主流,成了宗教界、文学界别样的风景。
The Taosists of Quanzhen Sect, Wang Chongyang, Ma Yu, Qiu Chuji, etc. , were keen on poetic creation and left behind numerous poems that embody their unique poetics. They not only used poetry to preach their doctrines, convert the non-believers and contact other Taoists, but also treated poetry as a word game that facilitated expressing their religious and poetic feelings and enhancing fellow feelings. Their creation deviates from the mainstream conception of poetry as expressiion of aspiration and emotion, and becomes a special landscape in both the religious and literary circles.
出处
《江苏大学学报(社会科学版)》
2012年第5期48-51,共4页
Journal of Jiangsu University(Social Science Edition)
关键词
全真教
诗歌
诗学观
the Quanzhen Sect
poetry
poetics