摘要
欧阳玉澄的《山明水秀》(《万县野码头》)不仅为其峡江文学地图增添了一个新的"地标",也铺展了一幅万县特定时代"山明水秀"的鲜活人物志与和平解放图。小说以"山二哥"为主体的率直人性群像、以"吞口儿"为核心的文化意象聚集、以"半边街"为舞台的民俗风情展演、以"野码头"为韵调的旋乾转坤协奏,飘散出浓郁的"三峡"兴味与情调。
The Picturesque (Wanxian WiM Pier)by Ouyang Yucheng is not only a new addition of the "landmark" to his Gorges and Rivers Literature, is but also a wonderful unfolding of the lively and picturesque portraits in certain specific times and peaceful liberation of Wanzhou City. This novel is permeating with dense Three Georges taste with the "Mountain Second Brother" as the representative of the rna^ia straightforward characters, "Tuan Kou'er" as core of the cultural image cluster, the "Half Street" as the platform of ethnic style show, and the "Wild Pier" as the tone of playing heaven-and earth shaking concerto.
出处
《重庆三峡学院学报》
2012年第5期76-79,共4页
Journal of Chongqing Three Gorges University
基金
重庆三峡学院2010年科研项目(10ZZ-007)研究成果
关键词
率直人性
文化意象
民俗风情
旋乾转坤
straightforward personality
cultural image
ethnic style
heaven-and earth shaking