摘要
抗战爆发至共和国成立前的文学生产与编辑出版行为之间的关系是互动的。毋不庸置疑 ,“抗战和民主”旗帜下的文学生产和编辑出版行为 ,都属看不见硝烟的另一战场 :文化战线。由于二者的互动极其自然地以民众或读者为主导 ,因而在这一时期的中国新文化“现代性” ,真正有了现实的可能性和实现的前提。另外 ,战时文学生产与编辑出版行为受制于复杂多变的政治环境 。
Literary production and editorship from the outbreak of Chinese resistence war against Japan to the founding of P.R.China is a process of alternate moving.It is beyond doubt that literary production and editorship under the banner of “resisting Japan and seeking democracy”are conducted on the cultural war-front,another battle field which smells of no gunfire.Now that the masses or readers are the heading factor in this process of alternate moving,the modernity of the New Culture Movement in this stage promises realistic possibility and prerequisite of actualization.ln addition,literary production and editorship of war times as checked by varied political factors are bound to take extremely intricate forms.
出处
《暨南学报(哲学社会科学版)》
CSSCI
2000年第5期43-48,共6页
Jinan Journal(Philosophy and Social Sciences)
关键词
文学生产
编辑出版行为
抗战时期
文化战线
literary production
editorship
cultural war front
the New Culture Movement
modernity