摘要
本文认为,90年代在中国热闹一时的要求超越实践美学的种种观点,对于实践美学未能作出公允全面的评价,在一些似是而非的误读、误释、误解的基础上,给实践美学贴上了“传统的”(古典的)标签,而不知实践美学正由于马克思主义的实践唯物主义哲学基础的超越性和开放性,而成为一种超越传统美学的开放体系,而且正在开辟着更加广阔的通向美学奥秘的道路。
By criticising the main viewpoing of Post - practical Aesthetics, the author asserts that practical aesthetics is an opening system that has surpassed the traditional aesthetics. Therefore, practical aesthetics has shown its strong vitality.
出处
《云梦学刊》
2000年第2期57-65,共9页
Journal of Yunmeng