偏至与畸形的戏剧——新中国27年戏剧发展论略

One-sided and Distorted Dramas ——On the development of the Chinese dramas from 1949 to 1976

新中国 2 7年 ( 194 9— 1976 )的戏剧同其他文学形式一样也走过了一道从颂歌走向畸形的轨迹。在现实题材剧禁忌越来越严重的情况下 ,一些有个性的艺术家转入对历史题材的探索 ,从而在 50年代末至 6 0年代初掀起了一个以老舍的《茶馆》和田汉的《关汉卿》

Like any other styles of literary writing, the drama writing in the New China from 1949 to 1976 followed an abnormal road from eulogy to distortion. As there were more and more taboos for realistic dramas, some dramatists with unique characters turned to probe into historical dramas. That was why from the end of 50s to the beginning of 60s, there was a climax of creation of historical dramas represented by Lao She's Teahouse and Tian Han's Guan Hanqin. [