守望电视剧的精神家园(上)——回眸20世纪90年代一场电视剧文化的较量

Guarding the Spiritual Home of Television Plays ——a retrospect of the contending cultures of television plays in the 1990s

20世纪 90年代 ,中国电视剧领域里 ,与文化工业、文化商业密切联系在一起的现代大众文化为一方 ,维护国家意识形态中心地位权威的官方主导文化 ,和执著于启蒙传统及高雅艺术追求的知识分子的精英文化为另一方 ,进行了一场全方位的激烈的较量。这场较量 ,涉及到诸多问题 ,即 :电视剧的社会意识形态本质 ,审美本质 ,电视剧的社会功能 ,电视剧创作主体的使命与责任 ,电视剧与观众 ,电视剧与市场 ,电视剧与文化全球化问题 ,电视剧文化中的媚俗倾向 ,等等。文章对大众文化、文化工业。

The last decade of the twentieth century saw an intensive and comprebensive contention between contemporary mass culture, a mainstream culture of the establishment which champions the central status of the state ideology, and the elite culture of the intelligentsia who honors the enlightenment traditions and the pursuit for high art. The contention involves multiplex issues concerning the social ideological nature of television plays, their aesthetic nature, their social function, their subjective commitments and responsibilities, as well as the questions how television plays are related to the viewers, the market and globalization of cultures and increasing tabloidism in television. This paper also carries out a penetrating revelation and a prelininary criticism on how television is under an all-sided penetration by mass cuture, culture industry and culture dealers.