摘要
改革开放30余年来,新编的京剧已达数百部。但从"流传广泛"和"留传久远"方面考察,并没有出现一批像解放前和改革前编演的历久弥新的经典。原因在于各个院团极少互演兄弟院团的新作,大制作又妨碍新作复演,京剧名家也不够重视打造自己的代表作。只有不断培育新的经典,才能不断满足观众求新期望,不断丰富京剧宝库。
Hundreds of newly-created Beijing operas have come into being during the past more than 30 years since Reform and Opening up in China. But examined from the perspective of wide spread and long reserve, few of them can be compared with the classics which could withstand the test of time created and acted before liberation and Reform and Opening up. The reasons lie in that theatres wouldn't like to act the new dramas created by other brotherly theatres, that blockbusters hampered the replay of new dramas and that the renowned Beijing opera masters did not pay enough attention to forging their masterpieces. Only by cultivating the new classics continuously can we meet the novelty need of the audience and enrich the treasury of Beijing opera step by step.
出处
《邵阳学院学报(社会科学版)》
2012年第4期88-91,共4页
Journal of Shaoyang University:Social Science Edition
关键词
新编
经典
流传
留传
newly-created
classics
spread
reserve