摘要
旁观与直观、客观与主观等语词彰显了中国现代语境与话语场域转变中写作伦理的现实需求、历史变化及其困境与出路。天才之眼的直观是王国维建构文学内在品质的核心话语,直观不仅具有艺术自主性品质,同时呈现文学伦理关系内涵。这种直观是中国现代语境中旁观焦虑的艺术转化,正是在旁观的道德焦虑背景中生成了《示众》小说书写的主体建构方式。鲁迅"写我们自己的社会,连我们自己也写进去"开启的写作伦理维度,在新的历史语境中发生了身份认同与时代认定的转变。
Such words as onlooking, intuition, subjective and objective demonstrate the practical demand of writing ethical , historical change, dilemmas and way otu in modern Chinese context and discourse field shift. The Intuition of the eye of genius is the core of diseoures, which Wang Guowei constructs the internal quality of literature. Intuition not only has the autonomy of art quality, but also has literary ethics connotations. The intuition is artistic transformation of the onlooking anxiety in modern Chinese context,which generates the main construction style of the novel Publil Display in the ethical connotations. "to write our own society, even ourselves also written in", by the words Lu Xun founded the writing ethics, which changes in the person identity and age commitment in the new historical context.
出处
《西华师范大学学报(哲学社会科学版)》
2012年第5期59-65,共7页
Journal of China West Normal University:Philosophy & Social Sciences
基金
教育部人文社科青年项目(10YJC751104)
关键词
《示众》
旁观与直观
客观与主观
写作伦理
Public Display
onlooking and intuition
subjective and objective
writing ethical