“后戏剧剧场”与后现代哲学——初探《后戏剧剧场》理论构建基础

The Post-dramatic Theatre and the Post-modern Philosophy:On the Theoretical Foundation of Postdramatic Theatre

"后戏剧剧场"概念由德国著名戏剧理论家汉斯.蒂斯.雷曼提出,它对20世纪70年代以来西方新剧场的审美逻辑进行了尝试性的理论构建。"后戏剧剧场"的审美逻辑与后现代哲学精神相互之间存在同源共生的关系。"后戏剧剧场"的理论构建资源主要来自法国后现代理论,雷曼在此基础上结合个人剧场实践归纳出完整的体系。本文分别从后戏剧剧场的发生背景与命名,后戏剧剧场的核心理念,以及对后戏剧剧场的批判性反思等三个方面讨论其与后现代理论之间的关联,从而进一步考察剧场实践与理论构建之间的复杂关系。

Hans-Thies Lehmann＇s Postdramatic Theatre offers an experimental investigation into the aesthetic logic of the Western theatre since the 1970＇s.The aesthetic logic of ＂post-dramatic theatre＂ and the spirit of post-modern philosophy are commensally related.On the basis of the French post-modern theory as a major theoretical resource for ＂post-dramatic theatre＂,Lehmann induced a complete system through his individual practice of theatre.This article examines the origin and definition of post-dramatic theatre,the main ideas and reflections,in an attempt to review the complicated interplay between the practice of theatre and the construction of theory.