影视镜像下金庸小说中武打描写的艺术魅力

The Artistic Charm of Martial Description in Kim Dung's Novels from perspective of Movie Shooting

文学与影视是两种不同的艺术形式,这也决定着两者的呈现方式不同,小说是由文字组成,而影视则是由画面构成。画面是由摄像机或摄影机拍摄出来的一个个镜头,再经过蒙太奇的剪辑手法进行组合拼接后成为流动的画面。在形成完整而流畅的画面这一过程中,必须经过独立镜头动作拍摄和蒙太奇剪辑两个步骤,本文主要的是论述影视语言下金庸小说武打动作场景的呈现方式,如何使用镜头动作和蒙太奇剪辑艺术拍摄和拼接镜头将小说中的文本动作描写转换为完整连续的武打动作。

Literature and film, which consists of characters and pictures respectively, are two different art forms and different ways to represent the world. A frame can be a series of pictures shot by camera and organized in a successive sequence. A complete and smooth frame is due to two steps： independent lens action and montage clips. This paper probes into the ways to represent Kung -fu action scene in Kim Dung＇s novels in movies： how to convert martial description in novels into continuous movement in movies by appropriate use of independent lens action and montage clips.