摘要
"审美无区分"是伽达默尔诠释学哲学与美学的基础性思想。"审美无区分"思想渊源之一是柏拉图的审美意识理论。柏拉图的审美意识理论主要有两点:其一,认为艺术模仿是虚假的主要来源,因此艺术不能达成对真理的认识;其二,坚持艺术与审美的政治和道德标准,艺术应该为理想的人格教育服务。伽达默尔肯定并吸收了柏拉图的艺术和审美的道德原则、政治原则,认为艺术的标准不是纯粹审美的。同时,伽达默尔对柏拉图的艺术模仿理论进行了反思,认为艺术也是认识真理的必然之途。伽达默尔对柏拉图审美意识理论的扬与弃,是形成其"审美无区分"思想的重要基础。
Plato's criticizing theory about aesthetic consciousness embodied two main characteristics: firstly,Plato insisted that art and aesthetic can not reach the cognition to truth beacuse art copies is false or non-true;Secondly,Plato insisted on political 、moral and ethical standard towards the aesthetic consciousness.Gadmor examined and criticized the art imitates theory of Plato,and thinked that art is also the necessory way to truth.Gadmor insisted on political 、moral and ethical attitude towards aesthetic appreciation、comprehension and interpretion.It is Plato's aesthetic theory about aesthetic consciousness that constituted Damoer's aesthetic ideology.
出处
《甘肃理论学刊》
CSSCI
2012年第5期80-85,共6页
Gansu Theory Research
关键词
伽达默尔
柏拉图
审美意识批判
扬弃
Gadmor
Reception and Abandonment
Plato
Aesthetic Consciousness
