摘要
明代沈鲸的《鲛绡记》传播甚广,影响深远。但长期以来,戏曲研究者多囿于清人成说,仅从正史中查考宋代人物行谊,遂使本事失考,出现诸如"其姓名事迹,皆属假托"、"事无所本,全出虚幻"等误解。事实上,明代创作家多从小说中汲取素材编演所成,几成惯例。至于《鲛绡记》的本事,主要依据明初李昌祺的文言小说《琼奴传》之人物、事件构建故事情节框架,亦间采《宋史》及《贾云华还魂记》、《香囊记》等小说戏曲素材,以成就一部适应民众欣赏趣味和娱乐需求的著名剧作。
Shen Jing's "Jiaoxiao ji" has widespread transmission and deep influence, but many drama researchers always make a mistake about it's original story. They thought the drama is not a fact but a fantasy on the basis of history. In fact, the original story of "Jiaoxiao ji" comes form "Qiongnu ji" , History of Song, "Jia yun-hua huanhun ji" and "Xiangnang ji", which created a fa- mous drama work is appropriate for normal people's appreciation taste and needs of entertainment.
出处
《徐州师范大学学报(哲学社会科学版)》
北大核心
2012年第5期30-34,共5页
Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
基金
教育部人文社科项目<中国古代戏曲母题生成与衍变研究>(10YJA760075)
江苏省社科基金项目09YSD013
江苏高校社科项目09SJD760030之阶段性研究成果