摘要
美存在于美感活动中,美感活动是人们对生活的直觉感受与文化心理感知。艺术创作依赖对生活的直觉观照,艺术审美是在直觉感受的美感活动中获得"美",获得"出世"。从美学的视角看,中国传统艺术注重技术与艺术的统一,也反映了中国审美与生活同一的价值取向,即"美在生活"的世俗化审美意识。艺术形式作为一个时代审美意识、审美情趣的投影,总是这个时代艺术精神的反映。今天的审美不再局限于艺术领域,而是进入认识论和伦理学领域。舞蹈以世俗间的身体端显达欢、载道的世俗性,从而玩味身心一元、天人合一的境界。其美感的经验就是生活形象的直觉,在创造和欣赏舞蹈时暂时摆脱意志的束缚,由意志世界移到意象世界。
Beauty exists in aesthetic activities while aesthetic activities relate to people' s intuitive feelings and cuhural perception. Art creation depends on the intuition of life. Getting "beauty" and getting "born" is kind of aesthetic feelings based on this intuition.. From the perspective of aesthetics, the traditional Chinese art focused on the unity of technology and art, reflected the same value orientation in both Chinese aesthetics and life, namely " beauty in life", the secularization of aesthetic consciousness. Art form as a projection of aesthetic consciousness and aesthetic appeal of times is also a projection of artistic spirit of times. Today's aesthetics no Lo^ger confines to art field, but also t~ the ep^stem~]~gy and eti^cs f^elds. Dance sinews t[~e w^Ldness ~f the amusement~ and p^c~ples through the secular body, ponders a harmony of body and mind. The aesthetic experience exists in the intuition of life image when creating and watching dance, which allow people temporarily move to the image of the world instead of the will world.
出处
《北京舞蹈学院学报》
北大核心
2012年第3期47-50,共4页
Journal of Beijing Dance Academy
基金
北京舞蹈学院北京市人才强教深化计划支持
关键词
审美
生活直觉
文化感知
舞蹈
世俗性
aesthetic
life intuition
cultural perception
dance
temporal