中国古代音乐美学之“雅俗”观及其文化生成

The Viewpoint of “Elegance and Vulgarity” And lts Culture Formation of Ancient Chinese Music Aesthetics

作为一对相反相成的范畴,"雅"与"俗"均涉及到人生与音乐艺术等两个层面。就古代音乐美学思想来看,"雅"与"俗"的区别涉及到音乐艺术表达与文体方面的内容,由此而扩展到人生与音乐艺术以及思想文化层面。中国古代音乐审美意识的发展,离不开"雅"与"俗"的相辅相成,当代音乐审美意识的发展也是如此。这种观点不仅适用于说明"雅"与"俗"音乐审美意识不可忽视的作用,也适用于说明由"雅"与"俗"音乐审美意识必然引起的相关音乐美学理论研究。

Elegance and vulgarity are a couple of momentous aesthetic category in Chinese traditional aesthetics, they are both opposite and united, moreover varies with different cultural background. In Chinese traditional culture and art, elegance is a dominant factor, nevertheless, vulgarity is a negative one. The custom of appreciating ele gance and belittling vulgarity were rooted deeply into the thought concept on elegance and vulgarity in the theory of Chinese painting author discusses the relations between these two factors, and points the development of aesthetic tastes is inevitable. of the traditional vulgarity, The evolution, of the underwent a long history, in this dissertation, the out that mixing elegance and vulgarity together in