摘要
孝的美学意蕴随着孝的内涵的变化而变化,孝的内涵又随着主体对孝的理解和践履的变化而变化。孝的起源和归宿都是"道",孝源于"道"的现"象",经由孝道合一、分离、复归的发展演进,孝的美学意蕴也呈现为从自然生成的本真之美到人为的世俗美,最终重拾自然本真的和谐美。
The aesthetic implication in filial piety changes with the change of its connotations which also vary as people' s understanding and practice of filial piety are different. The origin and destination of filial piety are Tao, or rather, filial piety proves to be a concrete reflection of Tao. With the evolution of their combination, separation and return, the aesthetic implication in filial piety generated from the natural real beauty becomes the man-made worldly beauty and ultimately has regained its natural harmonious beauty.
出处
《孝感学院学报》
2012年第4期12-16,共5页
JOURNAL OF XIAOGAN UNIVERSITY
关键词
孝
道
美
filial piety
Tao
the aesthetic implication