摘要
贵州苗族服饰可分为十二型八十一式,可谓类型复杂而多样。各种类型的服饰采用寓意、比喻、象征或谐音的手法以物寄情,使其不仅具有历史文化记载特征,而且还承载了"万物有灵"的宗教文化特征和人生"轨仪"的文化属性。贵州苗族服饰无论其款式、色彩、纹饰及装饰品和穿着方法的多变,皆是衣不在衣而在意,纹不在纹而在文。
Miao's clothing in Guizhou has complex and varied styles, which can be divided into 12 main types and 81 species. Using techniques such as implication, metaphor, symbol, or homophonic to express feeling with object, all of such clothing not only have the characteristics of historical and cultural records, but also carry the religious and cultural features of "animism" and the cultural property of life "rituals". No matter how various the styles, colors, emblazonry, adornment and wearing methods of Guizhou Miao's clothing are. they all indicate that "the clothing is not clothing but meaning", and "the emblazonry is not emblazonry but culture".
出处
《铜仁学院学报》
2012年第5期6-10,共5页
Journal of Tongren University
基金
贵州省教育厅高教人文社科重点项目"贵州近现代民族文化思想研究"(编号:GR11(08ZD011))阶段性成果
关键词
服饰文化
民族生境
贵州苗族
clothing culture
nation habitats
Miao in Guizhou