卞之琳早期诗歌中抒情主体的泛化

Generalization of Self in Bian Zhilin's Early Poems

卞之琳早期诗歌中的抒情主体呈泛化特征。抒情主体的泛化是西方现代派诗歌及其理论东渐的结果,是中国新诗走向成熟的标志之一。主体的泛化浸润着诗人含蓄内敛的性情旨趣,寄寓着主体多元的诗学指归,包孕着兼收"古""欧"诗歌精华、承继更新诗学传统的艺术追求,承载着新诗创作平民化、大众化和多重文化身份构建的价值诉求,蕴涵着"一""多"共存互生的哲学观念和模糊朦胧的美学理念,其内涵丰富而深邃,对中国新诗贡献巨大。

Bian Zhilin’s early poems are to a great extent attributed to the generalization of the lyric subject,which remains one of the signs signaling the maturity of Chinese new poetry,and the direct influence and reception of the western modern poetry and its concepts.Moreover,the practice of the generalization of the self underlies the poet’s dominant characteristics of self-reserve and internalization,the poetic pursuit for multiplicity of lyric subjects,the artistic aspiration for the assimilation of the highlights from both the west and ancient China,and the maintain and regeneration of Chinese poetic tradition,the aspiration for the manifestation of the mass in the new poetic writing and the construction of multi-cultural identities,the philosophical concepts of co-existence and interaction of Self and Others,and the aesthetic senses of obscurity and ambiguity.In a word,the self generalization is much richer and deeper in implications than it appears,which made a great contribution to the practice of Chinese new poetry.