论福州脱胎漆器造型设计的创新

Analysis to the Innovation of Fuzhou Bodiless Lacquerware Design

现代审美观念的变化与环境的改变,为脱胎漆器造型带来了新的探索空间。以民族风格、时代风格与多元造型风格作为造型创新切入点与艺术语言,对福州脱胎漆器造型进行了剖析,认为福州脱胎漆器造型应突破以往固定思维,突出时代和民族风格,融合东西方造型艺术,展现现代造型意识,从而实现福州脱胎漆器从传统向现代的转型,表现漆器内在艺术精神与外在现代风格的和谐统一。

Changes in modern aesthetics and circumstances lead to new exploration space for the innovation of bodiless lacquerware in form and pattern. Taking the ethnic style, age style, and multivariate modeling style as the breakthrough point and artistic language, innovations have been done to Fuzhou bodiless lacquerware in form and pattern. The traditional stereotyped design has been discarded in order to meet the call of the age and national identity. Ethnic and overseas elements have been integrated and many other types of bodiless lacquerware have been studied. In a sense, Fuzhou bodiless lacquerware has completed the transition from the traditional design to the modern one and realized the harmony between the pursuit of intrinsic spirit and extrinsic modernity.