摘要
婚嫁仪式歌是哈萨克族习俗歌的主要种类之一,纵观整个婚嫁仪式,从"沙仁"、"加尔——加尔"、"森斯玛"、"阔尔斯"、"阔什塔斯"到"别塔夏尔",可以看出它是用歌唱串联起来的一部完整的"组歌"。本文以女性作为切入视角,从女性经历的"分离"、"通过"、"再进入"三个仪式出发,来探究哈萨克族女性婚恋观、家庭观,进一步揭示其体现的女性民俗文化价值,即:标记功能、文化符号、交流教育媒介。
The wedding ceremony song is one of the main types of songs in kazakh custom.Throughout the whole wedding ceremony,from "Sha Ren","JiaEr-JiaEr","Sen Si Ma,","Kuo Er Si","Kuo Shi Ta Si" to "Bie Ta Xia Er",we can see that it is a complete "Group of Songs" made of different songs.This paper,from the women's eyes,by describing the three ceremonies,"Separation","Transition","Reentrance",starts to explore the values of Kazak women's love and marriage and family,and reveal its embodiment of women folk cultural value,namely: mark function,cultural symbols,communication education medium.
出处
《内蒙古民族大学学报(社会科学版)》
2012年第1期15-18,共4页
Journal of Inner Mongolia Minzu University:Social Sciences