摘要
"清"成为中国古代美学的核心概念,与其在先秦时期就已经确定了的审美意蕴有着非常大的关系。先秦时期"清"的审美意蕴体现在三个方面:道家将其哲学本体化,使"清"具有了生成性;"清"的道德理想主义模式和心理化特征又使其获得了审美的主观性;在音乐艺术实践中的广泛使用又使"清"获得了审美实践的机会。
The fact that ＂Qing＂ has become a core concept of Chinese ancient aesthetics is closely related to its aesthetic connotation confirmed in Pre-Qin Period. During this period, the aesthetic connotation were presented in three aspects ： firstly, it was promoted as an ontology term by Taoism, which brought the generative nature to the concept of ＂Qing＂ ; secondly, its mode of moral idealism and feature of psychological elements have endowed it with aesthetic subjectivity ; thirdly, being widely used in the art of music provided ＂Qing＂ with opportunity of aesthetic practice.
出处
《中国文学研究》
CSSCI
北大核心
2012年第4期86-89,共4页
Research of Chinese Literature
关键词
清
审美意蕴
先秦
＂Qing＂
Aesthetic connotation
Pre-Qin Period
