摘要
在20世纪小说中,民间宗教信仰与官方意识形态之间形成了"对立"、"合谋"和"游离"的复杂关系。作家们通过征用民间象征符号、民间宗教信仰的仪式,完成了造神、敬神运动;同时,民间宗教信仰"娱神娱人"的世俗性被利用参与民间狂欢化图景的制造,悄悄瓦解了革命的神圣性。
In the fictions of the 20＂ century, there formed a complex relationship of ＂confrontation＂, ＂complicity＂ and ＂dis- sociation＂ between folk religion and official ideology. Writers accomplish the making God and worshiping God movements by em- ploying folk symbols and rituals of folk religion. The secularity derived from the ＂pleasing god and entertaining people＂ of folk re- ligious beliefs was utilized in producing the scene of folk carnival, thus disintegrating the sacred nature of revolution secretly.
出处
《中国文学研究》
CSSCI
北大核心
2012年第4期101-105,共5页
Research of Chinese Literature
基金
教育部人文社会科学研究青年基金项目"民间宗教与20世纪中国文学"(11YJC751106)
湖南省哲学社会科学成果评审委员会课题"巫文化与20世纪中国文学"(1011243A)的阶段性成果
