近代城市历史文化街区文化景观演变研究——以大连旅顺太阳沟为例

A STUDY ON CULTURAL LANDSCAPE EVOLUTION OF HISTORICAL CULTURAL BLOCKS IN EARLY-MODERN CITY——A Case Study of Taiyanggou,Lvshun,Dalian

以大连市旅顺太阳沟为例,采用新文化地理学的观点,借鉴后殖民主义相关理论,考察了殖民地时期、原苏联红军接管时期和现代社会三个时期下文化景观的表征变化,得出三个结论:①话语和权力是景观表征的主要决定因素,日俄殖民者、原苏联红军、军队和政府及开发商是三个时期景观表征的权力主体;②利益相关者在景观和空间的塑造中也扮演了重要角色;③殖民城市有屈辱历史,但不代表有屈辱文化。保护太阳沟文化景观刻不容缓,首要任务就是进行体制创新;太阳沟应大力发展文化产业。

The significance of protecting and developing Semi-Colonial landscape lies in its facilitation to exploring the changing and adjusting process of cultural colonialism, to protecting city cultural veins and to constituting harmonious urbane cultural landscapes under the present context of fast urbanization and cultural and historical protection. Taking Taiyanggou, Lvshun district, Dalian, as case study, this paper studies the cultural landscape changes in three different periods, the Colonial Period, the Red Army Period and the Modem Society Period, and concludes that, firstly, the discourse and the power are the major factors of the landscape representation, Japan and Russia colonists, the former Red Army and the Chinese Army, the Government, the Real Estate developers are the power subjects of the landscape representation in these periods, secondly, the stakeholders play an important role in shaping the landscape and the space, thirdly, a colonial city with a history of humiliation dose not certainly have a culture of humiliation. This paper puts forward three suggestions about protecting and developing the cultural landscape in Taiyanggou. Firstly, it is urgent to protect the cultural landscape in Taiyanggou; secondly, system innovation is the primary task in the protection; finally, cultural industry should be energetically developed in Taiyanggou. By probing into the process of molding urbane cultural landscapes of the post-colonial period, the paper finds out that this molding focuses only on the construction of the cultural landscape itself while neglecting the cultural elements contained behind its construction, and even ignoring the participants and doers during the molding process. By this exploration, the paper tries to provide beneficial and constructive guidelines for city planners and decision-makers when they launch cultural colonialization and work out city planning in the context of globalization.