在“挪用”中饰变与创造——文化生态视野下的2012基诺族“特懋克”节

Change and Creation in Appropriation: A Field Observation of the Big Drum Tune and Dance in Jinuo Ethnic Minority's Temaok Festival 2012 from the Cultural Ecological Perspective

该研究从以传承人为核心的"文化生态群落"的微视角,立足田野见到的两个"文化生态群落"结构及其之间的排斥与默许现象,解析文化生态群落如何维持和改变着基诺族"特懋克"的大鼓调和大鼓舞。

With successors as a core in the micro perspective of 'cultural ecology settlements', the essay focuses on two such groups as seen in the field, involving their mutual exclusion or permission, analyzing the way of the Jinuo people's sustaining or changing their big drum tune and dance in the Temaok festival