解读贾樟柯“后青春”影像的民间立场——基于《三峡好人》的电影文本分析

The Folk Standpoint of Jia Zhangke's Post-Pubescent Movie——On the Film Text of Still Life

影片《三峡好人》作为贾樟柯"后青春"影像的开篇之作,通过有意遮蔽传统叙事中的"宏大三峡"而捕捉了民间,通过遮蔽英雄诗化的民间而获取了具有真实感的现实,致力于表达民间"人"的存在和尊严。贾樟柯"后青春"影像民间立场的建构,牵涉到视觉焦点和影像内容的转向,以及文化精神和价值立场的坚守。

As the first post-pubescent movie directed by Jia Zhangke,the film of Still Life intentionally obscures the traditional narration about the grand Three Gorges,but captures the bottom of society.Jia Zhangke abandons the heroic folk images.He still uses a realistic approach,the smooth inspect care and compassion to express the underlying survival and dignity.The folk standpoint of post-pubescent movie is constructed by changing visual focus and film-text content,as well as holding his cultural spirit and standpoint of value.