摘要
清嘉庆年间,由一代名士陈曼生与紫砂名匠杨彭年合作制壶,开紫砂"文人壶"之滥觞,将紫砂艺术推至又一个历史巅峰,对后来的紫砂艺术发展影响深远。但伴随着对"曼生壶"艺术价值的高度认可,杨彭年的壶艺成就却相对被忽略乃至贬抑。本文试图从艺术及理论的角度去分析探究这一现象,呼吁重新认知杨彭年作为一代紫砂大家的壶艺成就和重要意义。
In the reign of the emperor Jiaqing (1796-1820) in Qing Dynasty, Chen Mansheng, a celebrated literatus collaborated with Yang Pengnian, a renowned Zisha teapot craftsman in manufacturing Zisha teapots, which marked the beginning of "Literati" Zisha teapots, pushed the Zisha teapot art to another climax in its history, and exerted substantial impact on the development of Zisha teapot art afterwards. However, the achievements of Yang Pengnian with respect to Zisha teapots were ignored and even depreciated for the increasing high appreciation of the art value of "Man sheng" Zisha teapots. This paper tries to analyze and explain this phenomenon from the perspective of art and theory and calls for re-evaluation of the achievements of Yang Pengnian as a famous Zisha teapot master and his significant position in Zisha teapot history.
出处
《创意与设计》
2012年第4期87-95,共9页
Creation and Design
关键词
紫砂艺术
文人壶
价值重估
逸格
Purple sand art
The literati pot
Value revaluation
Graceful Grade"