大庭美奈子“亡命文学”中的主题和叙事研究

A Study on the Themes Reflected in Oba Minako’s Exile Literature

大庭美奈子是日本"内向的一代"女作家的代表,她幼年时期跟随做军医的父亲到处转学,婚后跟随丈夫旅居美国多年,常年的漂泊旅居生活让大庭一直以"流浪人"自居,成名作《三只蟹》被认为开辟了日本女性主义文学的新时代。女性文学研究中,传统观点一直把大庭文学视为"弑母戮婴"的文学。在文化多元和艺术评价体系日臻完善的今日,对大庭文学的评价和研究也应当与时俱进。以大庭文学前期三部曲和女流文学奖获奖作品《破烂博物馆》为切入口,对大庭"亡命文学"中的文学主题和女性叙事进行研究和探讨。

Oba Minako is a female representative of Japanese literature＇ s ＇ Introverted Generation＇. When she was younger, Oba frequently transferred schools due to her father＇s career as a military surgeon. After her marriage, Oba lived in the United States with her husband, forging an identity as a self-named ＇wanderer＇. Her first well-known novel Three Crabs established a new era of Japanese feminism literature. In the traditional feminism study, the Chinese scholars have always taken Oba＇s works as the literature of ＂killing mother and baby＂, while at present--- a time of cultural pluralism and gradually-developing Art Evaluation System, the study on 0ba literature should advance with the times. This paper intends to examine the first three works of Oba＇s early period as well as her award-winning novel Shabby Museum. The aesthetic image and themes of exile literature will also be explored.