关于中西方两种美学观的比较论纲——隐秀说和显隐说的相似性及其成因初探

A Comparison between "Yinxiu" and "Xianyin": the Abstract Unity of the Two Theories in the West and China

中国当代艺术学、文论和美学学科建设应如何继承传统、借鉴中外,这通过学说之间的比较研究可获得启示价值。比较中国古代美学隐秀说和西方存在主义哲学显隐说,可发现其间虽然反差巨大,但审美原则、审美思路、表达方式和方法论等却具有多方面相似性,所用范畴具有形而上的及难以推论、阐释之特征,都具"万物一体"的审美境界;其本体论相近且审美路径都纳入了非现实的变量;都围绕着显-隐互动线索而抽象统一性相通,即本于显(显现、秀)-隐(隐蔽、遮蔽)二重性共时而交互的运作,究其相似的成因都和老庄之道有些关联。据此,还可证文艺美学、艺术哲学建设若在坚持主客体对立的方法论基础上联系本体论,亦可发现新的思维路径而增强生命力。

This article proves that the formation of yinxiu is influenced by the thoughts of Laozi and Zhuangzi＇s theories,while the xianyin theory is also enlightened by Laozi and Zhuangzi＇s theories,and thus we can discover that both xianyin and yinxiu theory are related closely to each other.Firstly,new probe into yinxiu is to explore the source of philosophical aesthetics.Secondly,probe into yin is in both xianyin and yinxiu theory.Thirdly,the poetic meaning of the two theories and the interpretation of the identity of humanity are similar.Fourthly,the Abstract unity of the two theories： the transition between xian and yin is in the unity of the world.Fifthly,an analysis is made of the similarities between the two theories.Judging the differences of the two theories from the origin of the thoughts,the authors attempt to propose the theory on the synchronous xian and yin.